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Film & Television
23rd Jan 2017
As the founder of music supervision company Supe Troop, Laura Katz''s first recommendation—as you’ve probably already guessed—is to hire a professional supervisor to handle your film’s music for you.
I know it’s a big step for your indie film, but in so many cases, it’s worth it. Working with an experienced and creative music supervisor will help you avoid a lot of heartache and find music that adds immense value to your project. There are a lot of variables that go into the fee that a copyright holder will quote for a synchronization use, and there are no set prices.
A good music supervisor can help provide the right information and negotiate the price. On that note, start thinking about music as soon as possible. Give your music supervisor as much time as possible to both clear the songs you want and come up with creative ideas. Especially when you are trying to get lower prices, you’ll need as much time as possible to negotiate.
Dream big, but then listen to your music supervisor who can help you merge your expectation with reality. Think about how you can play with music—do you want it to add to the narrative? incite certain emotions? play against what is happening? Are the characters hearing the music or just the audience? There are so many different ways the music can change the audience’s perception.
Read the full article at Moviemaker
filmmaking, filmmaking tips, indie tips