Learning how to write action or a character description can be tricky enough, but how do you write/format the phone calls, inserts, montages, and flashbacks (or audio flashbacks!) that you want in your stories?
Since the 1990s, there has been a steady growth of screenwriting contests, competitions, and fellowships — to the point where there seems to be an endless stream of them. How do you find the ones that are worthwhile to enter?
SCREENPLAY CONTESTS WORK… MAYBE?
Screenplay Contests come in 4 categories that are (1) They Suck & You’re an Idiot for Entering, (2) They’re Ego but it Helped You to Do a Re-Write, (3) They’re Good & You Could get Hired & Optioned or (4) They’re Great and You Have an Agent & Offers.